Understanding Apertures in Photography
Whether you're capturing moments with a vintage film camera or a modern digital setup, understanding the exposure triangle; aperture, shutter speed, and ISO is fundamental to creating stunning photographs. These three elements work together to control how light interacts with your film or digital camera sensor, ultimately shaping the look and feel of your images. In this guide, we’ll focus on the often-misunderstood role of aperture, exploring not only its impact on exposure but also how it influences depth of field and the creative potential of your photography. While many tutorials emphasize aperture’s effect on brightness, we’ll dive deeper into how it shapes the area in focus, offering practical tips to elevate your skills, whether you’re a beginner or a seasoned photographer.
In this video, I discuss aperture and how it affects depth of field in your photography.
Whether you're capturing moments with a vintage film camera or a modern digital setup, understanding the exposure triangle; aperture, shutter speed, and ISO is fundamental to creating stunning photographs. These three elements work together to control how light interacts with your film or digital camera sensor, ultimately shaping the look and feel of your images. In this guide, we’ll focus on the often-misunderstood role of aperture, exploring not only its impact on exposure but also how it influences depth of field and the creative potential of your photography. While many tutorials emphasize aperture’s effect on brightness, we’ll dive deeper into how it shapes the area in focus, offering practical tips to elevate your skills, whether you’re a beginner or a seasoned photographer.
What is the Exposure Triangle?
The exposure triangle is the foundation of photography, balancing three critical settings to achieve a well-exposed image:
Aperture: Controls the size of the lens opening, affecting both the amount of light entering the camera and the depth of field.
Shutter Speed: Determines how long the camera’s sensor is exposed to light, influencing motion blur and brightness.
ISO: Adjusts the sensor’s sensitivity to light, impacting image brightness and noise levels.
Mastering these elements allows you to manipulate light creatively, ensuring your photos are neither too dark nor too bright while achieving the desired artistic effect. Let’s zoom in on aperture, as it’s one of the most powerful tools for controlling both technical and creative aspects of your images.
Aperture refers to the adjustable opening in your lens through which light/photons pass to reach the the film or scamera sensor. It’s measured in f-stops (f/1.4, f/2.8, f/8, f/11, f/16), where lower numbers indicate a larger opening and higher numbers indicate a smaller one. Aperture plays a dual role: it regulates the amount of light in your exposure and controls the depth of field, which determines how much of your image is in sharp focus.
A smaller number but larger opening aperture (e.g., f/1.8 or f/2.8) allows more light to enter, brightening your image, which is ideal for low light situations like indoor portraits or night photography. Conversely, a higher number but smaller aperture (e.g., f/11 or f/16) lets in less light, making it suitable for bright environments, such as outdoor landscapes on a sunny day. Balancing aperture with shutter speed and ISO ensures your image achieves the desired brightness without over or underexposure.
While aperture’s effect on exposure is widely discussed, its influence on depth of field is equally important and often not mentioned. Depth of field (DoF) refers to the range within your image that appears sharp and in focus. Aperture settings directly control this range, allowing you to create everything from dreamy, blurred backgrounds to crisp, detailed scenes.
Wide Aperture (Low f-stop, e.g., f/1.4 or f/2.8): A wide aperture creates a shallow depth of field, where only a small portion of the image is in focus, and the background blurs into a creamy bokeh. This is perfect for portrait photography, where you want to isolate your subject from the background, or for macro photography, emphasizing fine details. For example, with a 50mm lens set to f/2.8, the depth of field might be just a few inches when focusing on a subject a few feet away, making the subject’s eyes sharp while the background melts into beautiful bokeh.
Narrow Aperture (High f-stop, e.g., f/11 or f/16): A smaller aperture increases the depth of field, bringing more of the scene into focus. This is ideal for landscape photography, where you want both the foreground and distant mountains to be sharp, or for group shots, where everyone needs to be in focus. However, smaller apertures require more light or adjustments to shutter speed and ISO to maintain proper exposure.
While aperture is the primary driver of depth of field, other factors also play a role:
Focal Length: Longer lenses (e.g., 85mm or 200mm) produce a shallower depth of field compared to shorter lenses (e.g., 24mm or 35mm) at the same aperture. For instance, a 50mm lens at f/2.8 will have a narrower depth of field than a 24mm lens at f/2.8.
Subject Distance: The closer your subject is to the camera, the shallower the depth of field becomes. For example, photographing a flower a few inches away at f/2.8 will result in a very narrow focus plane, while the same aperture used for a subject 10 feet away will yield a slightly deeper focus area.
Lens Design: Different lenses have unique optical characteristics that affect depth of field. Prime lenses with wide maximum apertures (e.g., f/1.4 or f/1.8) are prized for their ability to create dramatic bokeh, while zoom lenses may offer more flexibility but less pronounced background blur.
Practical Tips for Using Aperture Creatively
Experiment with Portraits: Try shooting a portrait at f/1.8 to create a beautifully blurred background that makes your subject pop. Then, switch to f/8 and notice how more of the background comes into focus. Compare the results to understand aperture’s creative impact.
Master Landscape Photography: For sweeping vistas, use a narrow aperture like f/11 or f/16 to ensure both foreground and background details are sharp. Use a tripod if the smaller aperture requires a slower shutter speed to avoid camera shake.
Control Light in Low-Light Settings: In dim environments, a wide aperture (e.g., f/2.8 or lower) can help you capture well-exposed images without relying heavily on high ISO settings, which can introduce noise.
Understand Your Lens: Not all lenses perform equally at every aperture. Some lenses are sharpest at mid-range apertures (e.g., f/5.6 or f/8), while others excel wide open. Test your lens to find its “sweet spot” for optimal sharpness and clarity.
Balance the Exposure Triangle: Adjusting aperture affects the other elements of the exposure triangle. For example, using a wide aperture in bright light may require a faster shutter speed or lower ISO to prevent overexposure. Practice balancing these settings to achieve your desired look.
Mastering aperture is a game-changer for photographers, whether you’re shooting on a vintage film camera or a cutting-edge digital model. By understanding how aperture affects both exposure and depth of field, you can make intentional choices to bring your creative vision to life. Experiment with different f-stops, observe how they transform your images, and practice balancing aperture with shutter speed and ISO. Over time, you’ll develop an intuitive sense of how to use the exposure triangle to capture the perfect shot in any scenario.
For a hands-on demonstration, check out our accompanying instructional video, where we break down aperture settings using a 50mm lens and show real-world examples of how f/2.8 versus f/11 changes your images. Start experimenting today, and watch your photography skills soar!
Kodak Retina IIc
For decades, I dismissed Kodak cameras, associating them with the mass-produced, lowquality designs of the 1970s and 1980s. My career as a professional photographer and enthusiast led me to favor Minolta film cameras and later Sony and Canon digital systems. However, my recent exploration of 35mm folding cameras, driven by the need for a rangefinder-equipped model suitable for my visual impairment, brought me to reconsider Kodak’s Retina line. This article chronicles my journey from skepticism to admiration, culminating in the acquisition and use of a Kodak Retina IIc.
For decades, I dismissed Kodak cameras, associating them with the mass-produced, lowquality designs of the 1970s and 1980s. My career as a professional photographer and enthusiast led me to favor Minolta film cameras and later Sony and Canon digital systems. However, my recent exploration of 35mm folding cameras, driven by the need for a rangefinder-equipped model suitable for my visual impairment, brought me to reconsider Kodak’s Retina line. This article chronicles my journey from skepticism to admiration, culminating in the acquisition and use of a Kodak Retina IIc.
Growing up in the late 1970s and 1980s, I encountered Kodak cameras that epitomized the era’s "plastic fantastic" and Bakelite designs. These cameras, often flimsy and prone to failure, earned a poor reputation among photographers, frequently relegated to the status of gag gifts. While Kodak’s film remained the gold standard, their cameras, in my view, fell short of the quality offered by competitors like Minolta, which I relied on for years. This bias shaped my equipment choices, leading me to overlook Kodak’s offerings for much of my career.
As a legally blind photographer, I sought a compact 35mm folding camera with a rangefinder to simplify focusing, given my inability to judge distances accurately. Initially, I turned to Voigtländer’s Vito series, which I found reliable and well-designed. However, the only Vito model with a built-in rangefinder, the Vito III, was prohibitively expensive. This led me to revisit Kodak’s Retina line, specifically the IIc and IIIc models, which combine portability with rangefinder functionality.
My perspective shifted after discovering Retina Rescue, a website by Chris Sherlock, a renowned expert in vintage camera repair. Sherlock’s detailed insights into the Retina series, coupled with his engaging YouTube channel, provided a wealth of knowledge about the cameras’ engineering and history. His work challenged my assumptions about Kodak and inspired me to seek out a Retina IIc or IIIc.
After a thorough search, I found an eBay auction for a mint-condition Retina IIc, complete with 35mm and 80mm accessory lenses. Winning the auction at a price well below market value felt like a stroke of luck. When the camera arrived, it was pristine, with all components functioning as described. The Retina IIc’s Exposure Value (EV) system, which couples shutter speed and aperture based on a light meter reading, proved intuitive and accessible, particularly for someone with visual limitations.
On Father’s Day, I tested the Retina IIc during an outing to Show Low and Pinetop, Arizona, with a stop at the Mogollon Rim overlook in Payson. The camera’s bottom-mounted film advance lever required some adjustment, but the rangefinder made focusing effortless. Shooting at sunset, I captured images of the valley and winding road below, and the results were striking—sharp, contrasty, and well-exposed across various settings. The Retina’s optical quality and design exceeded my expectations.
The Retina IIc has reshaped my view of Kodak cameras, revealing a level of craftsmanship made in Germany I had not associated with the brand. Its compact design, rangefinder precision, and reliable performance make it an excellent choice for photographers, especially those with visual impairments. I highly recommend exploring Chris Sherlock’s Retina Rescue for anyone interested in vintage cameras. For collectors and enthusiasts, the Retina series offers a unique blend of history and functionality.
I’d love to hear from fellow photographers: Do you collect Kodak Retinas? What are your experiences with these cameras? Share your thoughts in the comments below.
Grandiose Majesty
Taken in May of 2025, this striking black and white photograph captures the awe-inspiring grandiose majesty of the Grand Canyon in a way that feels both timeless and haunting. The image centers on a solitary, gnarled tree standing defiantly on the canyon's edge, its twisted branches reaching out to the harsh Arizona sun against the vast, rugged landscape. The tree, weathered by years of harsh desert conditions, serves as a poignant symbol of resilience amidst the canyon's unrelenting expanse.
The Grand Canyon itself is the true star of this composition, its layered rock formations stretching into the distance, carved over millions of years by the relentless force of the Colorado River. The photograph's perspective highlights the dramatic depth and scale of the canyon, with sheer cliffs dropping away into shadowy depths, revealing the geological history etched into every stratum. This natural wonder is a testament to the power of erosion and time, drawing millions of visitors each year to marvel at its breathtaking vistas. I know that I stood there in awe.
This image evokes a sense of solitude and contemplation, inviting viewers to reflect on the vastness of nature and humanity's small place within it. The Grand Canyon's iconic status is reinforced here, not just as a scenic marvel but as a living record of Earth's ancient past. Whether you're a seasoned photographer or simply an admirer of natural beauty, this photograph encapsulates the raw, untamed spirit of one of the world's most remarkable landmarks. #GrandCanyon #Photography #Nature #BlackAndWhite #Landscape
Episode 2 - Blind Photographer
In this episode of Blind Photography, I discuss the intersection between going blind and having a fervent love for photography. As my eyesight dwindles into emptiness, like on old cathode ray tube tv being turned off for the last time.
I also discuss photographing the Grand Canyon and Bryce Canyon on a recent camping trip. And, of course, I talk about the cameras I used on the trip and the lessons I learned along with way. The Vito IIa has become a tool I use to capture the world, not as I see it but as I hope it to look like.
In this episode of Blind Photography, I take some time to discuss what has been happening in our lives here in the stunningly beautiful and vast state of Arizona. I delve deeply into the experience of becoming legally blind and the myriad aftereffects that accompany such a significant life change. The support I have received from my family, friends, and strangers has truly surpassed anything that society itself has offered in terms of assistance and understanding. The fact that I am now legally blind is something that cannot be understated—it has reshaped my entire world. My cane, much like my phone, has become an essential tool that accompanies me everywhere I go, helping me navigate this new chapter in my life.
I want to pose a thought-provoking question to you, my audience: If your family and/or loved ones had to choose three meaningful things to place in a box that truly represent who you are, what do you think they would select?
After catching up on the realities of being blind, I transitioned into an exciting discussion about cameras, film, photography, and our little vacation to the breathtaking Grand Canyon, as well as our visit to the stunning Bryce Canyon in Utah. Of course, I took along the Zeiss Ikon Super Ikonta with me; that camera chewed through medium format film faster than I could load it! I also brought my Proud Chrome Six, which I will be reviewing soon, and my beloved Voigtlander Vito IIa, an essential tool that has become nearly indispensable for this blind photographer.
I may not need to see the exposure settings, but I can feel the reassuring clicks and know precisely where the shutter speed and aperture settings are. I set it to infinity for most of my work, cock the shutter, and press the button. While it may not boast the best lens in the world, it is indeed fantastic for its time and does a remarkable job for a four-element lens.
In next week's episode, my lovely wife, Deana, will be joining me to answer some funny questions about what life is like with a blind man, or rather, her blind husband. It promises to be a wonderfully entertaining episode. If you have not subscribed to our channel already, I encourage you to do so! We have some incredibly exciting news coming your way soon that you won't want to miss.
Walk by faith, not by sight
In this article, I discuss the trials of using a white cane, i.e. blind cane. I discuss O&M training and adjusting to using the cane in public, the greatest test of all.
Over a year ago, I did Orientation and Mobility training through the state. My O&M instructor and I walked for miles over several sessions, listening to traffic, learning routes, and learning how to navigate large intersections whilst being blind/visually impaired and using a cane. I listening to everything he said, followed his instructions, and advanced quickly. After a while, I could come and go with confidence. Keeping some form of independence is incredibly important. It is not always easy and can be very dangerous, but it is what we do. Blind people walk by faith, not by sight. The anxiety level that makes your heart pound the first time you step off the curb and across the road doesn’t go away. It is faith in God that gets me across a busy intersection.
I was using my cane every day, mainly to traverse rough terrain. When we moved, I stopped using it all the time. My vision has gotten a lot worse since we moved out here. I’ve avoided using the cane, as it implies that I’m completely blind. Roughly only 10% of blind people are completely blind. The rest of us see something. I have been blind in my left eye all of my life due to Septo-Optic Dysplasia. Several years ago, I started going blind in my right eye due to the same reason, but mainly due to Optic Atrophy caused by it. My vision has gotten so bad that I only have around 20 degrees of peripheral vision. Try to cover up your left eye and then try to look through a straw with your right eye. Then, try to do a normal task.
I am now fully embracing the use of the cane full time, and it has become an indispensable companion for navigating my daily adventures. I rely on it to get to work and to explore various spots around town. The great thing about living in Payson, Arizona, is that it’s a charming small town, and nearly everything is conveniently close by. My workplace is situated just a mile away from home, making my daily commute quite manageable. Additionally, my favorite coffee shop is only about half a mile from my doorstep, which I cherish for my morning pick-me-ups. I used to enjoy riding my electric bike, but unfortunately, it became increasingly risky for me to do so.
Speaking of that charming little coffee shop, I genuinely shocked everyone the very first time I walked in with my trusty cane in hand. I could faintly hear people chatting away from outside, all buzzing with conversation, but as soon as I stepped inside, an eerie quietness enveloped the space, as if the world had paused just for me. You could hear a pin drop, and I felt smaller by the second. I quickly ordered my usual coffee and then left, leaving behind the hushed stares. I wanted to use this experience as a notable example of the common person's reaction to my presence. I’m not dead, and I’m certainly not dying…at least not today!
If you “See” someone with a blind cane, don’t say, “I’m Sorry”. It’s OK. I’m walking with a smile. Say, “Hello”.
Don’t cry, please. That helps no one. I’m losing my sight. It sucks, but I’m going to kick blindness’ butt! And, Jesus Loves Me…and You!
Don’t ask me how I’m feeling. How are you feeling today? I’m not depressed. It’s all good. I’m just glad to be here.
A blind cane is a tool. Ask me about the cane. They make hundreds of different canes and tips to go on it. I’m a nerd, it’s true. Just like Voice Over on my iPhone, the cane assist me in getting from point A to point B. It is incredibly simple but incredibly helpful. I can feel every crack, crevice, pot hole, and gradient change. I don’t have depth perception, so when the grade changes, I need to know about it! Otherwise, I go for a tumble. Ask me how I know.
Adjusting to life with a cane takes some time. The O&M instructors teach us how to not get hit by a car, but they don’t teach us how to deal with the day to day interactions and crazy drivers. There are so many great people that offer to give me a ride or offer to get me across the street safely that any bad interactions with people are obliterated by kindness.
As I was on my way home today, I was told in a gut (GOD) sort of way to slow down and stop. So, I was able to see a car pulling out at an intersection. I almost walked around the car and on down the sidewalk. Within a few seconds, the car pulled out and a truck, hauling a trailer behind it, had to slam on its brakes to avoid the car. It almost jackknifed and the trailer ran up onto the sidewalk where I would have been walking. I didn’t see the entire incident, obviously, it was all a blur, once I heard the screeching brakes and turned and managed to focus, it was over with. Luckily, no one got hurt, but if I had not listened, I could’ve been killed or seriously injured. Trust your gut.
This blog will continue to be about photography but also the adventure of going blind.
My wonderful wife, Deana’s Creative Studio, is the reason I am able to get up each morning with a smile and look forward to the day ahead. She truly is such a kind, compassionate, and amazing Christian woman, and I feel incredibly blessed to call her my wife. She is not just my partner; she is also my greatest supporter and helper in all things. I remember jokingly mentioning while we were dating that one day she’d have to lead me around by my arm due to my vision changing. It’s unfortunate that my light-hearted joke is now coming to fruition, but thankfully, she doesn’t have to do it very often at all. Love you so much, Deana! :)
Sunset Crater Volcano
Photographing Sunset Crater Volcano is like capturing the vivid palette of a master artist at work. As the sun dips below the horizon, the cinder cone transforms into a canvas of deep oranges and purples, with shadows dancing across the rugged terrain and a dusting of snow. The contrasting textures of the black volcanic rock against the overcast sky creates a stunning visual symphony, challenging the limits of perception and inviting a playful exploration of line and form. Each click of the shutter is an exhilarating reminder that beauty can thrive in the starkest of landscapes, leaving us to ponder the wonders of nature, even when sight becomes a fleeting memory.
On Sunday, Deana and I eagerly headed up to the charming town of Flagstaff to do some shopping for her. Flagstaff is truly an amazing place that we both thoroughly enjoy exploring together. There is so much to see and do around Flagstaff, from quaint shops to scenic views. After our adventurous shopping excursions, we decided to venture over to the Majestic Sunset Crater Volcano, a stunning location where life continues to spring up vibrantly amongst the rugged cinders of a volcanic eruption that occurred way back in 1085 A.D. According to Wikipedia:
The date of the eruptions that formed the 340-meter-high cone (1,120 ft) was initially derived from tree-ring dates, suggesting the eruption began between the growing seasons of AD 1064–1065.[7] However, more recent geologic and archaeological evidence places the eruption around AD 1085.[8] The largest vent of the eruption, Sunset Crater itself, was the source of the Bonito and Kana-a lava flows that extended about 2.5 kilometers (1.6 mi) northwest and 9.6 kilometers (6 mi) northeast, respectively. Additional vents along a 10-kilometer-long fissure (6.2 mi) extending southeast produced small spatter ramparts and a 6.4-kilometer-long lava flow (4 mi) to the east. The Sunset Crater eruption peaked at VEI 4 (Sub-Plinian), produced a total 0.52 km3 of ejecta,[9] had an eruption column between 20-30km tall[10] and produced a blanket of ash and lapilli covering an area of more than 2,100 square kilometers (810 sq mi), which forced the temporary abandonment of settlements of the local Sinagua people.
As we approached the volcano, my jaw dropped. The view from the open fields in front of the park were picturesque. There was a light dusting of snow atop the crater. We had hoped for more snow, but it was still breathtaking. I got out my now trust Sony A7Cii and Soligor 35*70mm f2.5 lens and went to work. Deana yelled at me at one point, because I had disappeared in the golden grasses. I get very excited about taking photographs, like a sniper crawling around on the ground, looking for the right vantage point. But, I am looking for just the right perspective and composition.
We continued on into the expansive park, fully embracing the captivating pastoral scenes as well as the more somber, charred remnants of burned trees and winding lava flows that told a story of their own. I found myself contemplating what it must have been like when this mighty volcano erupted in its fiery glory. The sunset, while somewhat mediocre at best, did not dampen our spirits; we made the most of it and joyfully headed home after a few hours of wandering amongst the rugged cinders and ancient lava flows. I could not recommend this enchanting place enough. There is truly so much to do in this vibrant area and an abundance of incredible sights to behold, each more mesmerizing than the last.
Blind Photography Podcast Episode 1
In this exciting first episode of Blind Photography, I delve into the journey of how I lost my long-held passion for photography, a love I nurtured since I was a child, and the remarkable way I managed to reignite that spark. This episode is packed with personal stories and insights, so be sure to stay tuned for upcoming episodes that promise to be just as enlightening and entertaining. You'll be able to find this podcast on iTunes within the next few days, so don't miss out! Thank you for joining me on this adventure.
In this exciting first episode of Blind Photography, I delve into the journey of how I lost my long-held passion for photography, a love I nurtured since I was a child, and the remarkable way I managed to reignite that spark. This episode is packed with personal stories and insights, so be sure to stay tuned for upcoming episodes that promise to be just as enlightening and entertaining. You'll be able to find this podcast on iTunes within the next few days, so don't miss out! Thank you for joining me on this adventure.
My favorite Film Camera of 2024
My favorite camera of 2024 is the Pentax Spotmatic F. In this article, I write about how I purchased this camera at such a ridiculous price and why I love it so much.
In early 2024, we got the shocking news that I was going blind faster than previously expected and that I had about two years before I’d be legally blind. This, of course, was just an estimate. I was also told that I couldn’t drive any longer. I took that hard, of course. Growing up in rural America, driving was a must. As my employer was working on transferring me to a closer location to home, I had nothing but time and spent my days scrolling through eBay listings, looking for a deal. At that time, I had no money coming in, but I put in a laughable bid on a Pentax Spotmatic F of $10. A few days later, my phone dinged and alerted me that I had won the bid. I told Deana. Given the circumstances and the fact that it was so cheap at $7 plus shipping, she didn’t get mad about it.
When it finally arrived in February 2024, it was grungy, gritty, and in dire need of a whole lot of love and attention. I eagerly rolled up my sleeves and replaced the worn-out light seals, the aging mirror bumper, and took the time to thoroughly clean and lubricate the intricate gears. With my vision being what it is, that entire process proved to be a major struggle, but it was absolutely worth the investment of time and effort. To my delight, it came equipped with a stunning SMC Takumar 50mm f/1.4 lens. While it isn’t the rare 8-element version, it still creates that dreamy, magical bokeh, the likes of which I had never seen before in all my photographic adventures.
I took it out for its first test roll and was shocked by its smooth advance motion and the lovely sound of the shutter. At that time, I was still between jobs and not working yet, so I took my time and made sure every frame and composition would be fantastic. I took a lot of shots wide open in order to test the lens. That first roll was Kentmere 100 and developed in 510Pyro. When I took it off the reel and hung it up, it looked great. But, the shock really didn’t set in until I scanned the photographs. The buttery smooth bokeh blew my mind.
I have been incredibly happy with this fantastic camera. Over the past few months, I have shot around twenty rolls through this trusty companion, and it has never disappointed me even once! The frame spacing is always perfect, like a well-oiled machine, and it consistently fires at the correct speed with no hiccups. This camera truly started a wonderful love affair with Takumar lenses that is still going strong today. I’m still actively searching for more of those coveted m42 lenses to add to my collection whenever they are affordable and within reach.
If I were a young person just beginning my journey in photography or embarking on an exciting educational path for this wonderful art form, I would undoubtedly choose the Spotmatic F over the classic K1000 any day of the week. This remarkable camera is not only a stunning performer that has consistently delivered outstanding results for me, but it has also always been there without fail when I needed it the most. Plus, on top of all that, they are a LOT more affordable than the infamous K1000, making them a fantastic choice for budding photographers!
What was your favorite camera of 2024?
New Year, New Hope
Deana and Jefferson Davis arriving in Arizona on July 7th, 2024.
2024 began with a heavy sense of despair and overwhelming shock as I discovered that I am going blind far faster than I had anticipated. After the initial shock wore off, I managed to regain my footing in both work and daily life, we made the important decision to sell our beloved home while the market was still favorable. We decided to take a much-needed break in April to celebrate our anniversary, which allowed us to recharge our spirits and get back to work with renewed energy. It took a little while, but eventually, we successfully sold our home and embarked on the long, exciting journey across the country to the magnificent and sun-soaked state of Arizona.
Traveling across country in a Subaru with three dogs and a trailer was an adventure. We had a great time crossing the states, seeing parts of the US I had never seen before. We stopped in Oklahoma to spend Independence Day with family. That was an amazing week. My hope for our country and our people was renewed. We decided to set up home in Payson, Arizona, an amazing little mountain town in central Arizona. The natives here don’t usually say, Y’all or drink sweet tea like they do in my home state of South Carolina, but they are so similar. Folks here love and practice the Second Amendment. They wear cowboy hats and boots. A lot of men wear sidearms. It is a great little town, but due to being surrounded by National Forest and migration from California and rich people from the Valley, housing prices are extremely high. The housing market in Payson is higher than the majority of the state.
We were hoping the the housing prices would come down more than they have, but due to reasons already noted, prices are not going down. There is a limited supply and the wealthy retirement community do not want any more houses being built here. I have been preliminarily offered a job in Cottonwood, AZ, so we are moving there in a few months. We love Payson, but Cottonwood is an amazing town as well. The people and culture are very similar to Payson, and it is closer to the breathtakingly beautiful areas of Sedona and Prescott. The fantastic benefit is that housing is cheaper in Cottonwood and Camp Verde. Also, fires will not be an ever-present threat. Even though we are in the throws of winter in Payson, we still have a major fire nearby. There are possibilities of fires to the west in Camp Verde and Cottonwood, but the likelihood is rare.
The incredible amount of great people we have encountered in our journey moving to this beautiful place is truly uncountable. We have forged some amazing friendships here through our church and work, and each connection adds a vibrant thread to the fabric of our lives. The greatest resource in America is not just its land, oil, or coal, but rather its people, who are full of warmth and character. The vast majority of Americans are deeply patriotic and possess a profound love for our country. Spending cherished time with my family in Oklahoma taught me so much about our nation and the enduring love and respect that we should all strive to have for it.
Whether you agree or not, the surprising election victory of Donald Trump revealed to me that the people still have a powerful voice, and we indeed possess the ability to effect meaningful change in our society. It also filled me with a renewed sense of hope that the old adage, “If you work hard, you can have anything,” continues to hold true for the most part. There truly is hope. There is always hope, even in the most unexpected places. I never imagined that I would ever find someone who would love me, much less marry me; yet here I am, happily sitting at my desk across from my beautiful wife, Deana, who is currently engrossed in her scrapbooking project. You can read more about her scrapbooking, bible journaling, and life on her blog linked here.
It is with great excitement that I approach this new year. 2025 will be a great year, one for the books. We will be moving, starting life anew, and making even more friends. We the people will have a new president as of January 20th. The housing market is projected to transition to a buyers market this year. Companies will invest more with the hope of lower taxes. That, along with less regulation, will help us all and improve the economy.
This new year also provides a great opportunity to photograph more than I did this year. There were several months in 2024 that I didn’t get to photograph due to packing up, moving, and then unpacking, so I am exciting about starting new projects and restarting the zine once we get settled. What are you excited about in 2025?
Living as the Wife of a Blind Photographer
It was April 22, 2023 when I married my best friend and the love of my life. The man who was blind in his left eye told me that one day he would be completely blind, but I did not mind, for I knew he loved me for me and would do anything to care for me and keep me safe. I even knew that he was losing the hearing in his right ear, and that would progress as well due to the illness called septo-optic dysplasia. I knew that my future as a wife would be different than the future of most wives, even with my own diagnosis of dry macular degeneration. But I didn’t fully understand how soon everything would start to change. After all, who can truly understand their future until they’re living in it?
We immensely enjoyed our honeymoon, taking photographs of beautiful Ireland with b&w film cameras and iPhones. I may have stolen his Pentax K1000 while we were in the Emerald Isle, but I also loved using my Olympus Trip 35 and Canon AE1 Program to photograph the awesomeness that is the home of some of our ancestors. I often photographed my new husband taking photographs because he is in a different world when he is behind a camera. He sees beauty where others do not, and captures it in a way that only the resultant photographs can explain. One of my favorite photographs is of him, stepping away from having just captured Belfast’s city hall building, with a smile only seen when he is in his element. I worry not because he has a smile reserved for me, one that lights up my days and warms my nights. But the smile he reserves for when he feels he got the best possible shot is completely different; unaltered joy with a hint of mischief. It’s like he knows a secret that only he will ever know.
January 23rd of 2024 rolls around and we visit a local eye doctor, one to whom a good friend had referred me. It was probably the most important eye exam of our lives, as it changed so much. I learned more about the macular degeneration from which I suffer and my husband, well, his world changed upside down. His eyesight was worse than I thought — he had been hiding how bad it was getting, but I think he was hiding it from himself as well. He was told to stop driving due to his very limited peripheral vision. And I also don’t think he knows how badly he missed so many of the letters he read on his eye exam. The E’s and N’s and P’s and O’s were so different than how he had perceived them. So we left the exams with prescriptions for new eyeglasses and a hurt in our hearts for my husband’s need to give up driving and what that meant for his career. I was strong that day, only to cry in secret knowing that one day my husband’s use of the camera would be over; he would no longer see the beauty in the world that people often overlook. And I, well, I would need to continue with biannual eye exams to track the progress of my vision. I couldn’t even think of that, however, as I knew I one day would be married to a blind photographer.
Prior to our eye exams, my husband had been talking about pinhole photography and mentioned to me how he would love to use a pinhole camera. He even showed me one he would like, not knowing that I would purchase it for him as an early Valentine’s Day gift. I wanted to ensure he had access to such a camera while he could use it — the purchase was important, yet tearful. Needless to say, he loved the gift and proceeded to use the new capturer of beauty immediately. But the truth remained that his eyesight would continue to fail, and it has.
Due to my increasing struggle with allergies and disdain for humidity, he suggested leaving South Carolina and moving back to my home state of Arizona — to Northern Arizona in particular. Neither of us wanted to endure the summers in Phoenix metro, after all. So we made the trek across the US, several days stuck in a little, red Subaru with three dogs in the back seat. It was like traveling with three toddlers that were only welcome at specific Airbnb’s — if you know, you know. But we had a blast because we were able to take some time and I thoroughly enjoyed seeing these places I knew so well through his lone-functioning eye. The photographs we took are memories I will cherish always. He got to meet some of my cousins in Oklahoma, while we stayed a few extra days there for the fourth of July. It gave me a wonderful break from the drive, as there is only ever one driver in our family now. Then we ventured onward with him visualizing the southwest for the first time, shocked by its awesomeness. His excitement was heartwarming. I got to share some of my favorite places with my love.
Today we are living in Payson, Arizona and we get out to see something new in the state every chance we get. I need to share so many places with him before he can no longer see them. It hurts my heart beyond belief that one day he will not be able to see the majesty of this world. However, his positive attitude and desire to live everyday to its fullest, taking photographs wherever he goes, is inspiring. I cannot imagine living with his diagnosis, but, then again, I am in denial of the suffering that may lay in the future in regards to my eyes. Macular degeneration is no joke. But today I see more clearly than ever, knowing that time on this earth is limited; we never know when we will not be able to see the wonder of God’s creation any longer. He and I will make the best of this situation, taking photographs as much as possible, until we are completely unable to engage in his favorite activity. I will do my best to be the supportive wife while he purchases cameras, fixed them, uses them, and sells some of them only to start the process again. And, hopefully, he will inspire others to see through the lens of a film camera, while I hope to inspire people to take those memories, print them and put them into scrapbooks to be enjoyed later.
by Deana Davis, wife of the blind photographer.
Affordable Film Cameras
In my venture to find the ultimate deal on a film camera, I have come across numerous offers, some may have seemed too good to be true.
That’s like that old saying goes, if a deal seems too good to be true, it probably is. I am more than half a century old and have had to learn this the hard way, as my journey through photography has been filled with lessons learned from both successes and mistakes.
The Minolta srT line of cameras can be had with a lens for $30 plus shipping, making them an incredibly accessible option for beginners and enthusiasts alike. Different models offer various features, but they are all great cameras that have stood the test of time. The lenses that come with these cameras are known for their accuracy and sharpness, capturing images that are true to life, as they say. That being said, if you are looking for that ethereal feel in your photographs, you’ve got to try a Pentax as well, as they offer a unique quality that can elevate your work significantly.
The Pentax ME Super can be purchased on eBay for between $30-$50 with a lens, which is another steal in the world of film photography. They are equipped with full auto exposure control, yet also offer manual control with two convenient buttons on the top plate, allowing for flexibility in shooting conditions. The K1000 stands out, of course, because of its reputation and usability, but they are selling for upwards of $200 at present in December 2024—showing how highly regarded they are among film photographers. However, the ME Super presents a nice compromise and serves as a great camera for the price, combining quality and affordability seamlessly.
An older, but superior in my opinion, Spotmatic, can sometimes be acquired within the same price range and usually comes bundled with one of the amazing Takumar lenses. While these cameras may often show signs of age and require some TLC, they are well worth the time and effort you invest in them.
Another hidden gem from behind the iron curtain are the Praktica cameras. The MTL line of SLRs was amazing in its own right, blending functionality with reliability. We all take a chance when purchasing one of these cameras, but when they work, they perform exceptionally well; the lenses are absolutely stunning and sharp, producing images of remarkable quality. The Zenit cameras were good as well, though their lenses were generally regarded as superior to the camera bodies, which often seemed to present a problem.
Regardless of what you end up with, the essential point is to get out there and shoot some film. My entire goal is to inspire you, the reader, to rise up from your seat and start your photography journey. Whether you’re using a $5 point-and-shoot from a charity shop or a vintage SLR, the important thing is that you’re actively capturing moments; at least you’re doing more than the guy that talks about it all the time without ever picking up a camera. Get out there, embrace the adventure, and shoot!