Life Amongst the Bricks

Photography captures more than just mere images; it beautifully encapsulates moments of raw emotion and profound experience, unveiling intricate stories through the magical interplay of light, shadow, and time. The very act of clicking the shutter is an affirmation of the photographer’s intent, a definitive selection of a single, fleeting frame from the boundless flow of life that surrounds us. This simple yet striking photograph of vibrant flowers bravely emerging from dull bricks is, without a doubt, my favorite capture of the year 2024.

Consider the potent significance of that solitary click—the pivotal heartbeat wherein the photographer and the captured moment converge in a silent conversation. “This one photo speaks volumes,” the artist muses; it’s an acknowledgment that the photo holds an essence that transcends the visual, striking a chord that resonates with the viewer’s innermost sentiments.

In this silent exchange between the observer and the observed, the photograph becomes a linguistic artifact. Its voice may whisper or shout, but the volume it speaks with is not one measured in decibels, but in affect..

As the image is revealed, developed, and shared, it begins a journey of interpretation and inspiration. Each viewer, drawn into the frame, becomes part of the unfolding narrative, extending the heartbeat of the captured moment to echo endlessly through the halls of human experience.

As I strolled through the quaint streets of the small town I’ve come to know as home, nestled in the Upstate of South Carolina, my gaze was drawn to a particular structure that stood as a testament to the past. It was an aging old bank that seemed to wear its history on its facade. The building was unmistakably a product of the 60’s architecture, characterized by its angular brick design. Such structures are commonplace in this part of town, each telling a story of the era they were erected in.

Despite its clear ongoing renovation, the exterior gave away the years of neglect. The reddish-brown bricks, once probably lively and inviting, were now dulled with a patina of decay—crumbling pointing between them told tales of the many years they had weathered. The signs of pollution had left their marks, etched into the surface in grime and soot. Acid rain had washed over the walls for decades, nibbling away at the solidity of the mortar, and with each passing year, the relentless tide of time had carved its impressions deeper into the once-pristine brickwork.

As I continued my walk, I couldn’t help but feel a pang of nostalgia mixed with a hopeful curiosity for the building’s future. The old bank, once a bustling hub of commerce, now stood quietly amidst more modern establishments, a relic of a bygone era awaiting its rebirth. It served as a stark reminder of the impermanence of man’s creations, standing defiantly against the inescapable march of time, awaiting the day it would once again stand proud and renewed, its decayed exterior merely a chapter of its enduring story. It reminded me that in every end, there’s the whisper of a new beginning, and I was witnessing a small piece of this town’s continual evolution.

As I neared the old, weathered wall that had always been a part of my daily route, something unusual caught my eye. It was a solitary weed, displaying a resilience that was both unexpected and beautiful, blooming with a delicate flower in the midst of the unforgiving brickwork. Its struggle for life against the rigid urban canvas captivated me.

Quickly, I reached for my beloved Pentax Spotmatic F, a camera that had become an extension of my own being. Equipped with my beautiful Asahi Pentax SMC Takumar 50mm f/1.4 lens – a piece of glass famous for its swirly bokeh and the soulful images it produces – I framed the shot with a mindful respect for the weed’s tenacity. The viewfinder gave me connection between subject and artist as I adjusted the focus ring, the tactile sensation reminding me why I fell in love with photography in the first place.

With a click, the shutter closed for a fraction of a second, capturing not just an image but encapsulating a story of survival and beauty in adversity. I stood there for a moment, basking in the satisfaction that comes from knowing when you’ve caught a magic moment on film. This photograph, I sensed, would be a cherished addition to my personal collection, a reminder that even in the most unexpected places, there’s always something extraordinary to be discovered. I knew in that instant that I had something that I, at the very least, would love.

Even amongst the grot and grim of this old decrepit bank, new life emerges. God is everywhere and in everything we see. He is the Alpha and the Omega, the beginning and the end. This weed withered away, but for a short time it bloomed. Jesus’ parable about the sower and the seed is one of my favorites and I thought of it instantly, as I took this photograph. God speaks, if we listen.

 3 “Listen! Behold, a sower went out to sow. 4 And as he sowed, some seed fell along the path, and the birds came and devoured it. 5 Other seed fell on rocky ground, where it did not have much soil, and immediately it sprang up, since it had no depth of soil. 6 And zwhen the sun rose, it was scorched, and since it had no root, ait withered away. 7 Other seed fell among bthorns, and the thorns grew up and choked it, and it yielded no grain. 8 And other seeds fell into good soil and produced grain, growing up and increasing and yielding thirtyfold and sixtyfold and ca hundredfold.” 9 And he said, d“He who has ears to hear, let him hear.”

Mark 4; 3-9

My favorite Film Camera of 2024

In early 2024, we got the shocking news that I was going blind faster than previously expected and that I had about two years before I’d be legally blind. This, of course, was just an estimate. I was also told that I couldn’t drive any longer. I took that hard, of course. Growing up in rural America, driving was a must. As my employer was working on transferring me to a closer location to home, I had nothing but time and spent my days scrolling through eBay listings, looking for a deal. At that time, I had no money coming in, but I put in a laughable bid on a Pentax Spotmatic F of $10. A few days later, my phone dinged and alerted me that I had won the bid. I told Deana. Given the circumstances and the fact that it was so cheap at $7 plus shipping, she didn’t get mad about it.

When it finally arrived in February 2024, it was grungy, gritty, and in dire need of a whole lot of love and attention. I eagerly rolled up my sleeves and replaced the worn-out light seals, the aging mirror bumper, and took the time to thoroughly clean and lubricate the intricate gears. With my vision being what it is, that entire process proved to be a major struggle, but it was absolutely worth the investment of time and effort. To my delight, it came equipped with a stunning SMC Takumar 50mm f/1.4 lens. While it isn’t the rare 8-element version, it still creates that dreamy, magical bokeh, the likes of which I had never seen before in all my photographic adventures.

I took it out for its first test roll and was shocked by its smooth advance motion and the lovely sound of the shutter. At that time, I was still between jobs and not working yet, so I took my time and made sure every frame and composition would be fantastic. I took a lot of shots wide open in order to test the lens. That first roll was Kentmere 100 and developed in 510Pyro. When I took it off the reel and hung it up, it looked great. But, the shock really didn’t set in until I scanned the photographs. The buttery smooth bokeh blew my mind.

I have been incredibly happy with this fantastic camera. Over the past few months, I have shot around twenty rolls through this trusty companion, and it has never disappointed me even once! The frame spacing is always perfect, like a well-oiled machine, and it consistently fires at the correct speed with no hiccups. This camera truly started a wonderful love affair with Takumar lenses that is still going strong today. I’m still actively searching for more of those coveted m42 lenses to add to my collection whenever they are affordable and within reach.

If I were a young person just beginning my journey in photography or embarking on an exciting educational path for this wonderful art form, I would undoubtedly choose the Spotmatic F over the classic K1000 any day of the week. This remarkable camera is not only a stunning performer that has consistently delivered outstanding results for me, but it has also always been there without fail when I needed it the most. Plus, on top of all that, they are a LOT more affordable than the infamous K1000, making them a fantastic choice for budding photographers!

What was your favorite camera of 2024?

Affordable Film Cameras

In my venture to find the ultimate deal on a film camera, I have come across numerous offers, some may have seemed too good to be true.

That’s like that old saying goes, if a deal seems too good to be true, it probably is. I am more than half a century old and have had to learn this the hard way, as my journey through photography has been filled with lessons learned from both successes and mistakes.

The Minolta srT line of cameras can be had with a lens for $30 plus shipping, making them an incredibly accessible option for beginners and enthusiasts alike. Different models offer various features, but they are all great cameras that have stood the test of time. The lenses that come with these cameras are known for their accuracy and sharpness, capturing images that are true to life, as they say. That being said, if you are looking for that ethereal feel in your photographs, you’ve got to try a Pentax as well, as they offer a unique quality that can elevate your work significantly.

The Pentax ME Super can be purchased on eBay for between $30-$50 with a lens, which is another steal in the world of film photography. They are equipped with full auto exposure control, yet also offer manual control with two convenient buttons on the top plate, allowing for flexibility in shooting conditions. The K1000 stands out, of course, because of its reputation and usability, but they are selling for upwards of $200 at present in December 2024—showing how highly regarded they are among film photographers. However, the ME Super presents a nice compromise and serves as a great camera for the price, combining quality and affordability seamlessly.

An older, but superior in my opinion, Spotmatic, can sometimes be acquired within the same price range and usually comes bundled with one of the amazing Takumar lenses. While these cameras may often show signs of age and require some TLC, they are well worth the time and effort you invest in them.

Another hidden gem from behind the iron curtain are the Praktica cameras. The MTL line of SLRs was amazing in its own right, blending functionality with reliability. We all take a chance when purchasing one of these cameras, but when they work, they perform exceptionally well; the lenses are absolutely stunning and sharp, producing images of remarkable quality. The Zenit cameras were good as well, though their lenses were generally regarded as superior to the camera bodies, which often seemed to present a problem.

Regardless of what you end up with, the essential point is to get out there and shoot some film. My entire goal is to inspire you, the reader, to rise up from your seat and start your photography journey. Whether you’re using a $5 point-and-shoot from a charity shop or a vintage SLR, the important thing is that you’re actively capturing moments; at least you’re doing more than the guy that talks about it all the time without ever picking up a camera. Get out there, embrace the adventure, and shoot!