Episode 2 - Blind Photographer
In this episode of Blind Photography, I discuss the intersection between going blind and having a fervent love for photography. As my eyesight dwindles into emptiness, like on old cathode ray tube tv being turned off for the last time.
I also discuss photographing the Grand Canyon and Bryce Canyon on a recent camping trip. And, of course, I talk about the cameras I used on the trip and the lessons I learned along with way. The Vito IIa has become a tool I use to capture the world, not as I see it but as I hope it to look like.
In this episode of Blind Photography, I take some time to discuss what has been happening in our lives here in the stunningly beautiful and vast state of Arizona. I delve deeply into the experience of becoming legally blind and the myriad aftereffects that accompany such a significant life change. The support I have received from my family, friends, and strangers has truly surpassed anything that society itself has offered in terms of assistance and understanding. The fact that I am now legally blind is something that cannot be understated—it has reshaped my entire world. My cane, much like my phone, has become an essential tool that accompanies me everywhere I go, helping me navigate this new chapter in my life.
I want to pose a thought-provoking question to you, my audience: If your family and/or loved ones had to choose three meaningful things to place in a box that truly represent who you are, what do you think they would select?
After catching up on the realities of being blind, I transitioned into an exciting discussion about cameras, film, photography, and our little vacation to the breathtaking Grand Canyon, as well as our visit to the stunning Bryce Canyon in Utah. Of course, I took along the Zeiss Ikon Super Ikonta with me; that camera chewed through medium format film faster than I could load it! I also brought my Proud Chrome Six, which I will be reviewing soon, and my beloved Voigtlander Vito IIa, an essential tool that has become nearly indispensable for this blind photographer.
I may not need to see the exposure settings, but I can feel the reassuring clicks and know precisely where the shutter speed and aperture settings are. I set it to infinity for most of my work, cock the shutter, and press the button. While it may not boast the best lens in the world, it is indeed fantastic for its time and does a remarkable job for a four-element lens.
In next week's episode, my lovely wife, Deana, will be joining me to answer some funny questions about what life is like with a blind man, or rather, her blind husband. It promises to be a wonderfully entertaining episode. If you have not subscribed to our channel already, I encourage you to do so! We have some incredibly exciting news coming your way soon that you won't want to miss.
Snowstorm in Payson, AZ
The snowstorm in Payson, Arizona, blankets the landscape in a crisp, white serenity that transforms familiar views into a magical winter wonderland. As delicate flakes swirl around, each unique and short lived, I capture the stillness and quietness of the moment. A snowstorm is like a blanket from heaven, glistening as it spins and falls from heaven, perfection and beauty in motion.
A few weeks ago, we received a few inches of snow in our charming town of Payson, AZ. It was a truly beautiful sight to behold and much badly needed for our parched landscape. In a normal year, we can expect to receive around three feet of snow in a typical winter season, but this time around, we’ve only had the one little storm so far. We all hope and pray that we will receive more snow and moisture in general as the winter progresses. This precipitation not only keeps the fire risks down but also makes life significantly easier and more enjoyable in the high desert environment. Being nestled at 5,000 feet, snow and bone-chilling temperatures are quite the norm during the winters here, creating a winter wonderland that we can't help but appreciate!
As I mentioned earlier, I am originally from the state of South Carolina. Most people tend to assume that we don’t receive any snow there at all, but the truth is that they do get snow from time to time. They typically experience only a few inches each year, but every few years, they are fortunate enough to be graced by a real blizzard. The snow here in Arizona is much lighter and fluffier in comparison, presenting such beauty and perfection as it falls from heaven. It resembles a soft blanket gently settling onto the earth. When it glistens in the rare moments of sunlight, it feels like a precious gift from God and it is.
Luckily, I was off of work the day of the snow and was able to play in it all day. I grabbed my Sony A7Cii, a few lenses, and the Voigtlander Vito IIa and had a blast shooting the snow and nature at the park. The ducks and geese were having a blast waddling around in the snow. As I was capturing the beauty and stillness of the moment, I realized how lucky I was to be able to see such a beautiful scene. I may never see another snow storm, but I am grateful to God that I was able to see this one. We didn’t get that much, and it didn’t hang around long, but it was beautiful while it was here.
Minolta Maxxum 100-300mm lens w/ Sony LA EA5 Adapter
In this short review of the Minolta Maxxum APO 100-300mm f/4.5-5.6 lens, I discuss how well it works on newer mirrorless cameras with the LA EA5 adapter. I also provide sample photographs.
When I arrived home from work today, I grabbed the Sony A7Cii, the LA EA5 adapter that I discussed yesterday, and a Minolta Maxxum 100-300 f/4.5-5.6 lens. I headed down to the lakes at Green Valley Park in the hopes of photographing some wildlife. There were a lot of people out walking their dogs. The ducks were very photogenic. As I was walking around the lake in the hope of catching something somewhat wild, I discovered the same great blue heron that I had photographed on Wednesday.
The heron was standing regal, facing into the wind. He ignored me for the most part, perhaps because we had met before. He stood there for a bit, turning for me to get a good shot. The Sony A7cii has character recognition. It can detect animals and birds and their eyes. It is amazing how well it works. I took a $20 lens that you can purchase on ebay and got some amazing results. It does suffer from chromatic aberation, but most lenses from the 80’s do have this issue. In fact, some brand new lenses suffer from it.
You can spend $1500 and get sharper results, but why would you do that unless you’re shooting wildlife all the time and make money from it? It’s a logical question, right? I have all of these old AF Minolta A-mount lenses from the 80’s and 90’s. Why not make use of them. Some are better than others, of course, but they work surprisingly well with the new adapter. For any of you with a fairly new Sony mirrorless camera, get the adapter and a few A-mount lenses. You will not be disappointed. Below you’ll find a sample gallery from today’s shoot.
Sony LA EA5 Adapter
Last week, I ordered a LA EA4 adapter after doing a considerable amount of research about the five different E to A Mount adapters that Sony has offered over the years. These adapters are used to adapt older Sony and Minolta A-Mount lenses to modern Sony E mount mirrorless cameras. The first few iterations were clunky and the autofocus was slow. After doing a bit of research, I ordered the LA EA4 adapter. It arrived on Tuesday. When I got off of work, I peddled home in a hurry to discover to my horror that after waiting a week for the treasure, it turned out to not be supported for my camera, the Sony A7cii.
I put it on the camera, along with an A-mount lens that was supported by the adapter and nothing. I could adjust the aperture, but I could not get auto focus to work. I did more digging and discovered on Sony’s Japanese website that the LA EA4 is no longer supported and would not work on my camera. So, I disappointingly packed it back up and processed the return with Amazon. Once that was done, I ordered the LA EA5 adapter, which is cheaper and is supported on my camera and older ones.
It arrived yesterday, and to my incredible excitement, it actually worked like a charm! The great thing about the 5 over the 4 is that it doesn’t have a translucent mirror used for focusing, which means that all the beautiful light streaming through the lens hits the sensor directly without any interruption. I eagerly put a few of my favorite lenses on it, and to my delight, it worked seamlessly with each of them. Even better, the EXIF data transferred over perfectly as well, making the whole experience even more satisfying.
Early this morning, I headed down to Green Valley Park with the camera, the adapter, and a Minolta 35-70mm f/4 macro lens. The lens isn’t fast, but it is very versatile and a macro to boot. The lens is sharp and the autofocus, although not as fast as a native lens, is fast enough for what I do. I had a great time shooting with this lens and using autofocus. The subject recognition in the Sony A7cii does work through the older lenses. I had it on Animal/Bird, and it recognized a Great Blue Herons eyes and the subject. The autofocus is a little noisy compared to modern lenses, but for photography work, it is great. I will be taking the 70-200mm f/4 beer can lens out tomorrow to test it.
Thus far, I am incredibly happy with the performance of this adapter and the lenses used that I already have. This little adapter will save me thousands of dollars, and that, ladies and gentleman, is of the utmost importance. You can buy these old A mount lenses for pennies on the dollar compared to their native new counterparts. There are a few photographs below for your enjoyment. I could not get too close to the heron with a maximum range of 70mm. What are your thoughts on these adapters?
